By: Sophia Wilson
We had the privilege of interviewing Dan Qiao Megan, an independent film producer whose career spans continents and whose work bridges cultures. Based in LA, Megan’s storytelling is as bold as it is heartfelt. Let’s have a glimpse of her career journey, inspirations, and the art of filmmaking.
Hi Megan, can you tell us how your journey has shaped you as a filmmaker today?
Growing up in China, films were my safe space—a place where stories came alive and imagination had no limits. At 20, while pursuing my literature degree, I was obsessed with directing. It felt like I had found my purpose. The combination of visual storytelling and collaborating with creative minds was exciting.
After graduation, I moved to LA to pursue an MFA in filmmaking. It was excited and a bit reserved to step into a new culture and an industry I’m always dreamed about, but I was determined. That leap transformed me, and over time I evolved into an experienced producer, a script supervisor, and, most importantly, a storyteller.
What excites you most about producing films?
Producing is where chaos meets artistry. I love embracing the unpredictable. Actually, every project brings me new challenges and opportunities and as a producer, you’re the glue that holds everything together. You must be responsible from the first concept to the final cut.
For me, the magic of filmmaking is bringing characters on paper to life and evoking deep emotions in the audience. I think the film has the power to revive what’s dormant in us—joy, pain, fear, hope. Each set I step onto pushes me to grow, to collaborate, and to dream bigger.
The thing I value most is keeping a positive energy on set. Every good movie is not just the director or producer’s project—it’s everyone’s work. Making the whole team feel ownership of the film they are working on, that’s when the magic happens.
Tell us one of the unforgettable moments you’ve experienced on set?
Oh, there have been many! One that stands out happened during the filming of A Head of Woman/A Head of Man. That was a film set in a remote mountain cabin when we wrapped at midnight. Our equipment truck got stuck on a narrow, rocky slope. Very dark outside which makes the task more dangerous. Since nearly half of millions of dollars worth of gear were at risk if we didn’t drive it back to the right track.
We tried everything to fix the truck, but it was futile. Because it’s getting late, and we have to make sure the crew has enough turnaround time. We must leave. Luckily, a solution came up: hiring a professional night guard to secure the equipment until a more experienced driver came in the next morning. It was a stressful experiment. But it taught me the importance of staying calm and under pressure. Every problem has a solution. Producing is full of unpredictable moments, and that’s what keeps it exciting.
For some remarkable projects you’ve worked on, can you tell us a few?
Sure! My first short film, Chicken and Duck Talk. I wrote, produced, directed, and edited it. It tells cultural and gender dynamics through the conversations between an Eastern student and a Western professor. The film premiered at LA Shorts, a well-known short film festival. It was a memorable experience.
Photo Courtesy: Dan Qiao Megan
Another project I’m very proud of, called Lucky Market, worked with a talented team. It happens during covid 19 about anti-Asian hate. It tells a story of a female grocery store staff facing a violent attack on her last day before retirement. The film resonated deeply with audiences and screened at festivals like AFI Fest and the Edmonton International Film Festival, and so on.
Then the next unforgotten one is Bienvenido Juanito, a heart-wrenching story about a mother reuniting with her son after years of separation at the U.S. Mexico border. That project taught me how to navigate delicate emotional narratives while staying true to the story.
What’s your philosophy towards film set time?
Filmmaking is a collaboration. Every crew on set, no matter whether you are a producer, director a grip, or a set dresser, everyone plays a vital role. As a producer, my philosophy is to create an environment where crews feel valued and empowered.
I believe it’s always a better to give support to the team rather than blaming anyone when things go wrong. Solution-oriented is important for a producer. No matter what happens, try to put yourself together and try not to panic. And try your best to make everyone contribute together.
How do you measure your impact in the industry?
I want to tell stories that amplify female perspectives and marginal groups’ voices. For me, film has the magic to bridge divides and spark empathy, which influenced me, and I hope that my work can be as attractive and engaging as the artworks that influenced me to start my career where dreams set sail.
What are your future career goals?
Right now, I’m developing a feature film that’s about an ambitious female who pushes her limits by her surroundings. Simultaneously, I always looking for inspiring female stories that challenge me creatively and emotionally.
Filmmaking is my lifelong journey, and I’m just getting started. Every day on set is a blessing. I’m always grateful for the opportunity to tell stories that can inspire others.
In conclusion, Dan Qiao Megan’s work demands attention for its spirit of unstop challenging and showing her infinite passion and perseverance. As she said, she will continue her exploration of authentic unique female lives, stories, and leniencies, offering the audience to hear a voice that shouldn’t be neglected in the world of independent cinema.
Published by Drake M.
